{"id":79,"date":"2015-07-31T18:33:32","date_gmt":"2015-07-31T18:33:32","guid":{"rendered":"http:\/\/michaelbrandvold.com\/dev\/?page_id=79"},"modified":"2017-12-12T11:15:00","modified_gmt":"2017-12-12T19:15:00","slug":"about","status":"publish","type":"page","link":"https:\/\/michaelbrandvold.com\/blog\/about\/","title":{"rendered":"About"},"content":{"rendered":"

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\"Michael<\/a>From working with up-and-coming independent artists of all genres to overseeing online marketing for major acts like KISS, Britney Spears, and Dream Theater, Michael Brandvold\u2019s impact on the modern music industry is without question.\u00a0 <\/span>In addition to spearheading digital strategy creation and online social media management for bands, he has helped create marketing strategies that have made millions of dollars for clients.<\/span><\/h1>\n

Michael found himself working in the music industry directly after graduating from Minnesota\u2019s Mankato State University in 1987.\u00a0 <\/span>He was tapped to serve as Director of Marketing for Chicago-based artist management firm DKP Productions.\u00a0 <\/span>Michael held that post for nearly three years before becoming the national radio promotions manager for Red Light Records in 1990.<\/span><\/p>\n

However, Michael\u2019s professional life realized a radical shift in 1995 when he utilized his self-taught knowledge of the HTML computer language to build a fan website dedicated to legendary rock band KISS.\u00a0 <\/span>The website, known as KISS Otaku, became a huge success for Michael.<\/span><\/p>\n

\u201cI built a website that I, as a KISS fan, would want to visit,\u201d he explains.\u00a0 <\/span>\u201cI didn\u2019t build something to get the attention of the band.\u00a0 <\/span>I created it because I was a fan.\u201d<\/span><\/p>\n

Not only did the website garner fans from all around the world during a time when the Internet was still utilizing slow and screeching 56K modems, it also captured the attention of the band\u2019s own Gene Simmons.\u00a0 <\/span>The business-minded bass player gave Michael an opportunity to interview for the position of Director of Web Services at Sony Signatures.\u00a0 <\/span>The company hired Michael and tasked him with the creation and management of the KISS online community.<\/span><\/p>\n

\"Photo\u201cThere were similarities between the fan website and the official online community,\u201d Michael says.\u00a0 <\/span>\u201cBoth were driven by the core value of creating something that a fan would want to visit. But, with the official community, there was greater access to content to build and operate, while at the same time, having to follow formalities with the band, management, the label, and other approvals.\u201d<\/span><\/p>\n

Michael\u2019s expertise was instrumental in growing and managing the KISS online community from its inception in 1998 to an enterprise generating millions of dollars every year and engaging more than a half-million visitors every month.<\/span><\/p>\n

In addition to assisting with the band\u2019s online community, Michael was also instrumental in the creation of the VIP Platinum Ticket Program, which was first implemented during KISS\u2019 2003 US tour.\u00a0 <\/span>The concept granted the band\u2019s biggest fans face-to-face access to the band, premium seating at shows, and exclusive autographed merchandise.\u00a0 <\/span>The tickets, priced at $1,000 each, completely sold out during the tour.\u00a0<\/span><\/p>\n

\u201cBands were looking for new revenue streams as album sales were dying,\u201d says Michael.\u00a0 <\/span>\u201cI looked at what fans were doing and what fans wanted. They all wanted to meet the artist and get a photo. I just looked at what value we could add to a ticket sale and what we could sell it for.\u201d<\/span><\/p>\n

The program was such a success for KISS that it became a music industry standard utilized by major artists such as U2, Madonna, and Alice Cooper.\u00a0<\/span><\/p>\n

Michael has also been hired to lend his extensive online marketing expertise to the world of entertainment.\u00a0 <\/span>In 2005, he became the Director of Affiliate Sales at content outlet eLine.\u00a0 <\/span>While there, Michael headed up the company\u2019s marketing departments in Spain, Toronto, and Philadelphia which were responsible for generating more than four million dollars in annual income.<\/span><\/p>\n

Over the years, Michael\u2019s expertise has been put to use for a number of well-known companies like Universal Music Group, BMG\/Sanctuary Records, Rhino Records, Playboy, Roadrunner Records, and Nuclear Blast Records.<\/span><\/p>\n

In 2014, Michael published a revised edition of his book, KISS School of Marketing: 11 Lessons Learned While Working with KISS<\/i>.\u00a0 <\/span>The digital book quickly climbed to the number one spot on Noisetrade\u2019s Business & Finance and Arts & Entertainment lists.<\/span><\/p>\n

When Michael isn\u2019t working one-on-one with clients, he can be found teaching many of the same strategies he is employing in the music industry.\u00a0 <\/span>He has spoken at several events around the world, including the popular South By Southwest music festival in Austin, Texas, Toronto Canadian Music Week, The Conclave, and the NAB Radio Show.\u00a0<\/span><\/p>\n

Michael is also a veteran of the music marketing podcast scene.\u00a0 <\/span>He hosts the popular Music Biz Weekly Podcast, which has already notched more than 300 episodes that can be heard on iTunes, Google, YouTube, and SoundCloud.\u00a0 <\/span>He also co-hosts a second podcast entitled Three Sides of the Coin, which has produced more than 250 episodes with more than 3,000,000 plays.<\/span><\/p>\n

Even when presented with opportunities to take a breather from his work in the music industry, Michael\u2019s passion leads him right back to it.\u00a0 <\/span>He volunteered his time to teach music marketing to students at the Brennan Rock & Roll Academy.\u00a0 <\/span>The now-closed learning initiative was based in Sioux Falls, South Dakota and was operated by the Boys & Girls Club of America.<\/span><\/p>\n

It should come as no surprise that Michael Brandvold is one of the most in-demand online marketing experts in today\u2019s music industry.\u00a0 <\/span>His experience and results in the realms of digital marketing, merchandise, shows, and album releases make Michael a true force in a constantly changing industry.<\/span><\/p>\n

\u201cEverything I do is about helping artists find their fans and help them connect with those fans,\u201d Michael says.\u00a0 <\/span>\u201cThis is done by creating digital and content strategies to support your music and video releases, tours, merchandise, and online activities.<\/span><\/p>\n

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Rai Beardsley – Client Manager<\/strong><\/p>\n

\"RaiRai got his start in the music industry in 2000 when he was hired as the moderator of Mike Portnoy’s online message board. Over the years this opened up other avenues as he began managing Mike’s MySpace social account and eventually in 2007 began running the Dream Theater MySpace site and as technology advanced thier other social media sites. In addition to working with Dream Theater, Rai has also managed social media for Jordan Rudess and his Wizdom Music company that specializes in musical applications for iOS devices.<\/p>\n

In addition to social media, Rai has also been a web designer since 2005, working on Derek Sherinian’s website, the official Dream Theater Biography “Lifting Shadows” website, Jordan Rudess’s webpage as well as his Music App site for Wizdom Music, The Weekly Riff (an online music review and educational blog,) and Sun Sky Stone, a fan site for the Portland Oregon band Floater.<\/p>\n

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\"facebook44\"<\/a> \"linkedin21\"<\/a> \"twitter37\"<\/a> \"youtube30\"<\/a> \"soundcloud7\"<\/a>\"Instagram\"<\/a>\"iTunes\"<\/a>\"Slideshare\"<\/a>\"Pinterest\"<\/a> \"Tunblr\"<\/a> \"RSS<\/a><\/p>\n

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Awards<\/strong><\/h2>\n