Be aware that AI platforms may not always provide accurate information about the sources of their content.

Episode 656: Chris Castle joins us to discuss AI from a musicians perspective. Before you use AI in your career Chris goes over a few things you should be aware of with regards to ethics and legalities.

We focused on discussing AI’s impact on the music industry, particularly its legal and ethical implications for artists. Chris emphasized the importance of understanding that AI relies on existing works, highlighting a recent $1.5 billion settlement in a copyright infringement case involving AI. He advised artists to consider the ethical implications of using AI and to be aware that AI platforms may not always provide accurate information about the sources of their content.

Chris explained how AI systems process and deduplicate content, noting that while they may claim not to keep records, they actually need to track what they’ve ingested to avoid duplicate copies that could skew AI models. He described the process of model weighting, where multiple instances of the same content are analyzed to determine importance, and explained that this requires the system to know what content it has already processed.

The group discussed the ethical and legal implications of artists using AI tools to create content, focusing on copyright issues and responsibility. Chris explained that AI labs may face the brunt of legal consequences due to joint and several liability, while also noting the importance of understanding the difference between using AI as a tool versus asking it to create content that infringes on others’ intellectual property. The conversation touched on the role of style prompts and the potential for AI to reflect cultural and ethical knowledge, concluding with a discussion about the impact of AI on various industries, including film and music.

The discussion focused on the ethical and legal implications of using AI tools in music creation. Chris Castle advised that artists should use AI as a tool to assist their creative process rather than relying on it to create original content, emphasizing the importance of understanding copyright laws and the ethical considerations involved. He highlighted that AI-generated content may not be copyrightable and raised concerns about privacy implications when using AI tools. The panelists agreed that more education is needed for users to understand the complexities of AI and its implications, suggesting that AI companies have a responsibility to inform users about the ethical and legal aspects of their tools.

Visit https://musictechpolicy.com

Our Sponsors:
• Music Biz Weekly podcast listeners can go to Bandzoogle.com to try it free for 30 days, and use the promo code “musicbizweekly” to get 15% off the first year of any subscription.
• Get free shipping on CD orders of 100+ from DiscMakers.com with code FREEBIZ (up to a $150 value!).
• Visit Hypebot for music business news and insights. www.Hypebot.com
• Visit Bandsintown to manage your tour dates and communicate with your fans. www.Bandsintown.com

If you are interested in speaking with Michael about what he can do to assist with marketing needs message him with the contact form.

If you like the podcast I ask that you visit iTunes and please Rate & Review The Music Biz Weekly podcast. http://smarturl.it/musicbiz

For all discussions, training, tips and tricks related to music marketing don’t miss any episode of The Music Biz Weekly Podcast.

Follow Michael on Twitter: http://www.twitter.com/michaelsb
Follow Jay on Twitter: http://www.twitter.com/labellogic1

Michael Brandvold is a freelance music industry consultant based in Northern California. Having launched Michael Brandvold Marketing to leverage his years of experience to provide direction to large and small clients in the areas of online & social marketing as well as e-commerce and customer acquisition and retention.

Gene Simmons of KISS first tapped Michael’s skills as a pioneering online marketing strategist to launch and manage all aspects of Kissonline.com’s multi-million dollar enterprise, including their ground-breaking VIP ticket program.

Michael has also managed the online efforts for KISS, ACCEPT, SOiL, Tantric, Killer Dwarfs, Dream Theater, Little Caesar, Narada Michael Walden, Motley Crüe, Rod Stewart, Madonna, Ozzy Osbourne, Madonna and Britney Spears to name only a few.

If you are interested in speaking with Michael about what he can do to assist with your marketing needs contact him online at

email: me (at) mikebrandvold.com

website: www.MichaelBrandvold.com

—-

As a teenager in the Pacific Northwest, Jay smuggled his Canon F-1 into rock concerts to get the perfect shot of the likes of Van Halen, Queen and Cheap Trick. After college, he toured as a musician gaining invaluable experience in what it takes to create and promote an album. He later translated that knowledge as an executive with Universal, Sony and Warner Music Groups.

He moved to San Francisco and finally to Los Angeles for Universal Music where he worked for 18 years, most recently as VP New Media and Online Marketing for Universal Music Enterprises.

Jay has been on the cutting edge of Digital Sales & Marketing with Universal, Starbucks Entertainment, Fox and Warner Music. It is this unique perspective as a musician, music executive, and fan that makes Jay‘s approach to Digital Strategy and Online Marketing so artist-friendly.”

Jay co-founded Label Service company LABEL LOGIC and also works with clients as an independent consultant. He publishes a weekly industry news email called Your Morning Coffee. Subscribe here: 

email: jay@jaygilbertconsulting.com

Website: http://www.jaygilbertconsulting.com